Patchwork appliqué, a technique often born of necessity and frugality, has long been a practical medium for personal artistic expression within the domestic realm. Less time consuming than embroidery, patchwork was also economical in the use of fabric scraps left over from making clothing, or salvaged cuttings from worn out garments and household furnishings. Originally part of a larger coverlet dated 1842, this border serves not only as a document of creative amateur needlework, but also of experimentation within British chintz production.
Most conventional patchwork textiles are arranged with hexagonal, square or other repeating geometric shapes that connect like puzzle pieces; pictorial patchworks are less common. This fanciful panel is decorated with an array of imaginative forms of original inspiration, placed at the embroiderer's whim: diminutive card suits, half-moons and other quirky motifs are interspersed among spoked wheels, windmills, animals, gingerbread-like figures, and outsize maple leaves. Lively sawtooth borders finish the composition.
A mid-nineteenth-century coverlet with similar applied motifs is found in the V&A Museum collection (T.86-1957).
For more information on this work, see the Cora Ginsburg 2005 catalogue.