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Embroidered Silk Satin Braces ca. 1860 and ca. 1890s
Men’s braces of the nineteenth century were often highly decorative accessories. Both of these pairs are embroidered in silk thread on satin grounds, primarily in satin stitch, with stylized florals and foliage on asymmetric, meandering stems. One pair features flowers in delicate shades of blue and green on cream (ca. 1860), while the other features flowers in shades of pink and green on pale gray (ca. 1890s). On the latter pair, the filigreed brass slides are stamped on the front with the date “1889” and on the back with the maker’s name, “Wilson Bros.”
Two pairs of delicately embroidered nineteenth century men’s braces, made by the American firm, Wilson Brothers. Like the men’s waistcoats of the period, these are highly decorative and would have complemented the richly patterned, colorful waistcoats with which they would have been worn. These lively examples, one in pale blue with polychrome thread, the other in cream satin, are patterned with blooming flowers on asymmetric, meandering stems. On the former, the delicacy of the embroidery is nicely offset by white leather straps and filigreed brass slides. Its slides are also stamped, “1889” on the front and “Wilson Bro. Make” on verso.
$450 / $350
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Shawls |
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Silk Gauze Shawl
early 19th c.
Rose-colored sheer silk 40" square shawl, brocaded
with floral vine borders
and small, circular flowerheads
throughout the main field.
Finished with delicate fringe.
$650
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Purses
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Embroidered Ivory Satin Wallet
English, ca. 1780
This elegant wallet, or letter case as they were known in the eighteenth century, conveys the luxuriousness of wealthy women’s accessories. The delicate, entwined floral trail and oval medallion enclosing the initials “F.P.” are embroidered in gold metallic purl and sequins, crimson and gold foil, and faceted glass; tiny false pearls surround the metal clasp. On the back, a single stylized flower-head with swirling floral sprigs is also worked in purl, sequins, foil, and pearls. These types of accessories were often made by women of the leisure classes and attested to their embroidery skills. In 1779, Queen Charlotte presented Mary Delany with a pocket case that she described as “…most beautiful…the outside white sattin work’d with gold, and ornamented with gold spangles.”
4" H x 6 " W
$2,500
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Purse of Printed Silk Satin
Designed by Raoul Dufy (1877–1953)
"DEAUVILLE"
French, ca.1925
A handsome purse
made from one of Raoul Dufy's
iconic Art Deco textile designs,
printed by the Bianchini-Ferier
company. Dense
pattern with seaside scenes including
sailing ships, racing crews, large
fish spouting water, trios of men
in fashionable dress, houses, fishermen
with nets, and sinuous trees in
vivid jewel-tone hues. Pairs
of griffin heads at meet at each
end of the rounded rectangular
frame, made of burnished brown
celluloid; loop chain.
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Shoes |
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Multi-color Linen Sandals
American, 1930s–40s
Open-toe
style with cutouts. Wide
yellow and red
criss-crossed straps over toes;
narrow purple and green criss-crossed
straps over instep and continuing
around back, threaded through
red quarters; blue Cuban heel.
$500
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Low-heeled Ivory Satin Shoes
English, ca. 1785
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The fashionable eighteenth century
women's shoe was a frankly
luxurious and feminine accessory.
Ladies of quality wore shoes
of rich dress silks which might,
but did not necessarily, match
their gowns. Made as "straights," that
is without a designated
left or right, the shoes conformed
to the shape of the foot. These
ivory satin shoes have very
low heels which were compatible
with the emerging Neoclassical
style of dress.
$2,000
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Pair of Ladies Embroidered
Garters
French, ca. 1800
Concealed under full-length gowns and petticoats, garters secured
the stockings just above or below the knee. In the latter
part of the eighteenth century, short garters incorporating fine
metal springs and buckles replaced long ribbons or bands that
tied around the leg. On a lightly padded ivory satin ground, a trailing
vine with diminutive, stylized buds is worked in gradated pink-to-burgundy
and light-to-dark green chenille threads, accented with tiny false
pearls; along the sides, ivory chenille threads
form a shallow, scalloped edging. This type of chenille needlework
on garters, particularly fashionable around the turn of the nineteenth
century, was in keeping with the restrained ornament of neoclassical
dress.
$1,250
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Fichus |
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Dresdenwork Fichu
English or French, 18th c.
An integral part of the fashionable eighteenth
century woman's costume, the fichu—a triangular scarf—was
worn wrapped around the neckline
with the point arranged at center
back. These feminine accessories
could range from plain and practical
to heavily embellished. This example
is made of sheer white cotton
mull and is decorated with scrolling
floral vine and sprig motifs done
in Dresdenwork, a whitework embroidery
technique. Scalloped edges complement
the refined design.
$1,250
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Pair of Men's Steel Shoe
Buckles
British, late 18th c.
Buckles replaced ties as the fastening for shoes
in the 1740s. They were made from
a variety of materials such as
steel, gilded brass or silver,
and were generally rectangular,
square or oval in shape. This pair
has an openwork border of a guilloche
scroll enclosing small rosette
motifs.
$550
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